SUSAN
JEFFERS
BIOGRAPHY
I BOOKS
I PRESENTATIONS
I BOOK ORDERING
I
realize now that I have always
done the same things. When I
was
little, my best moments were
spent
drawing pictures, reading
stories
with my parents, playing
with
friends and sitting by the
Ramapo
River
dreaming of horses.
This
has not changed. Being a
children's
book illustrator has
combined all of these things.
Literature
has been a great
support
in my life. The story of
Black
Beauty kept me company
growing
up. I longed to be as gentle and steadfast as he was. I was inspired
by Velvet's courage and wanted to win the Grand National on my
beloved piebald horse like she did. I remember sitting in the
choir loft deciding on how I would illustrate the Snow Queen
by Hans Christian Andersen that my parents had read to me.
Retelling that story to myself got me through many tedious moments.
I wished I were as brave as Gerta but I was pretty sure that I
was the wayward Kai and my older sister, Judy, was going to have
to come rescue me from the frosty Queen. I loved these stories,
they always asked me to be the best I could be.
The
first part of my work is to find a story that inspires pictures
in me. It is like being a dancer and having to wait for the music
to move your feet. Everything comes from this.
I
enjoy researching books like Hiawatha so much that I
have trouble extricating myself from old photos and first person
diaries of being captured by Indians, which are, of course, more
stories.
For
the most part, I work in pen and ink and gauche, an opaque watercolor.
I make thousands of little lines with a fine pen to describe the
forms. This looks hard, but it is actually the easiest part and
is very relaxing. The most difficult part for me is telling the
story with the right relationship of composition and characters
to convey the emotion of the story. This requires making many
little drawings, called thumbnail sketches, until the drawing
says what you want it to say, hopefully. Sometimes this does not
happen.
My
favorite things to do these days are riding and studying dressage
with a beautiful horse named Hans, (Hans is much the better student)
and painting landscapes and portraits. Happily this is a lot like
my work.
I
graduated from Pratt Institute in 1964 and published my first
children's book five years later. I've been honored with a Caldecott
Honor, a Golden Kite SCBWI Illustrator's award, a Society of Illustrators
Award of Merit, a Golden Apple Award
given by the Biennale of Illustrations at Bratislava, and
an American Booksellers Book of the
Year (ABBY) Award, and Brother Eagle, Sister Sky
has been a New York Times best seller.
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